Designerly Ways of Knowing: A Working Inventory of Things a Designer Should Know new himitusbako no 4 and scrunched into an endless

and scrunched into an endless array of compelling configurations

front and back

Lawrence Weschler revisits the 16th-century “wonder cabinets” that were the first museums and compels readers to examine the imaginative origins of both art and science

These portable cards invite you to rethink how you see

Designerly Ways of Knowing: A Working Inventory of Things a Designer Should Know new himitusbako no 4 and scrunched into an endlessDesign thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post its, the A3 papers