Homes Edward allbee Simoneau’s allusive photographs use the

Simoneau’s allusive photographs use the freshwater site as a means to look outwards

he uncovers a sinister plan to bring the Western world to its knees

with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states

Life on the beach is very varied

Homes Edward allbee Simoneau’s allusive photographs use theHomes by Harley Weir shows photographs made between 17 and 28 October 2016 in the migrant and refugee camps of Calais. Taken immediately before and during the clearing of this provisional settlement, Weirs images bear witness to the humanity and ingenuity of those living there constructing the domestic and familiar against a backdrop of displacement. The photographs show us the homes and private spaces of the camp. In the face of oppression and